| Stage music |
| since 1968 ca. 80 productions and
acoustic stage design for the Schauspielhaus
Köln, Deutsches Schauspielhaus Hamburg, Schauspielhaus
Stuttgart, Schauspielhaus Düsseldorf, Schillertheater
Berlin ... |
| among other things for Augusto
Fernandez-productions like Perikles by
Shakespeare, Hamburg (ZDF-Produktion), Das große
Welttheater by Calderon de la Barca, Ein
Traumspiel by Strindberg, both in Berlin, Königsblut
by Ibsen, Hamburg |
| an other stage directors like Karl-Heinz
Stroux, Elmar Gehlen, Ulrich Heising, Wolf Stresemann |
| |
| Ensemble work |
| since 1969 member of the Kölner
Ensemble für Neue Musik |
| hundreds of concerts with Mauricio
Kagel, f.e.1973 South-east-Asia-Tour,1974
Southamerika-Northamerika-Canada-Tour; solo performance
as musician and music actor at radio-, record-, CD- and
TV-productions of Kagel´s work: for example Blues
Blue (1980) with Jean-Francois Jenny-Clark and
Michel Portal at the Berliner Jazztagen (Philharmonie)
and as TV-production of the Swiss TV |
| member of the Ensembles musica
negativa, Zürich, Heinz-Klaus Metzger, Rainer
Riehn, five concerts at Bienale Venedig 1970 |
| 1974 founding member of the Ensembles Pantomimusitäten
with Wilhelm Bruck and Elmar Gehlen; Tours and
performances in Europa, for example London-Mime-Festival,
Warsaw Autumn, Bienale München (1994), Mexicotour,
Festival Guanajuato; TV-productions in Mexiko (Canale
Once) and Zagreb |
| from 1978 concerts in France, Italy,
Germany with Musique Vivante, Paris |
| from 1979 in Stockhausen-Ensemble,
piece for guitar in Der Jahreslauf/Dienstag aus Licht;
Record at Deutsche Grammophon 1981, German gramophone
prize; concerts: WDR Köln, Châtelet Paris,
Holland-Festival Amsterdam (1992), Alte Oper Frankfurt
(1991), Foundation Gulbenkian, Lissabon (1992), Oper
Leipzig (1993), etc. |
| |
| 1983 Ensemble Intercontemporaine,
Paris, Pierre Boulez |
| 1992 founding member of the Vierten
Sparte in Staatstheater Kassel and performances
during DOCUMENTA IX |
| |
| Orchestral work |
| since 1996 guitarist in Symphony
Orchestra des WDR Köln; worked with nearly
every German Radio Symphony orchestras (guitar,
E-guitar, E-bass and banjo-pieces) |
| world premieres of Mauricio Kagel,
Karlheinz Stockhausen, Pierre Boulez, Helmut Lachenmann,
Alfred Schnittke, Rolf Riehm, Frank Martin, Vinko
Globokar and many others... |
| conductors: Steven Forster,
Michael Gielen, Pierre Boulez, Rafael Kubelik, Lothar
Zagrozek, Hiroshi Wakasugi, Gary Bertini, Inbal ... |
Orchestratours in
Europe, Japan, Israel
 |
|
|
| Aurel Nicolet,
B.Altmann, Pierre Boulez, Theodor Ross: von Hans
Zumsteg |
|
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| Literary work |
| -since 1971 Der Flopstock, short
radio play for the WDR; Der
Flopstock was printed in Neue Züricher
Zeitung |
| -since 1982 ca. 80 privat books as
unique or with minimal number of copies (ca. 2-120
copies) |
| -Zeitzeichen, WDR:
Andres Segovia, 1983 |
| 1990 radio play as introduction to the
scenical composition Das ist kein Weinen, er
singt..., Radio Bremen |
| for the DuMont Buchverlag
(publishing house): Mauricio Kagel, Nachruf
zu Lebzeiten, (Kagel.../1991) |
| Formerinnerung for a painter,
musician and actor, world première: 1994 Posnang, Polen: |
| Der Ring des Nibelungen, Ein
musikalisches Abenteuer für Kinder im
Hartmann&Stauffacher-Verlag (publishing house): order
work for the Niederrheinfestival 1996 |
| the scenical documentation
Georg Trakl: Offenbarung und Untergang; |
| 1999 the texts Kabarett oder
Intelligenz macht geil; Biographical things about
Lisa Fitz and a description of her work titled wie
is´n die in echt |
| |
| Bruck-Ross Duo |
| 1972 foundation of Wilhelm
Bruck-Theodor Ross Duo
|
| |
| Solo work as
guitarist |
| for example solist in Hans Werner
Henze´s Sinfonia 6, world première Munich
1972, conductor: Rafael Kubelik |
| Soloconcerts and radio productions Old
and New Music |
| 1977 Solotour Turkey, member of honour
in the Philharmonical Company Ankara |
 |
| Filmmusic |
| since 1976 music for
TV-movies and documentations by Anne Dorn, Domnik, Roland
etc., WDR cologne |
| |
| Arrangements |
| 1980 Beatles for Classic Guitar Universal-Edition
Vienna, |
| Jacques Offenbach-arangements: |
| - Dialogues: Ba.Ta-Clan for the
Staatsoper Hamburg 1983 |
| - Daphnis und Cloe for actors
and multiinstrumental quartet, Deutsches Theater
Göttingen, 1985 |
| - Orpheus in der Unterwelt for
actors and multiinstrumental trio, Landestheater Kreis
Wesel 1997 |
| |
| Music for radio
plays |
| 1987 for Ich küsse ihren Hund,
Madame... by Ludwig Fels, direction: Ulrich Heising,
SFB Berlin |
| order compositions: |
| - for musica nova Bremen: Das
ist kein Weinen, er singt...for three actors,
trombone, percussion and three basses, world première
1990 |
| - Smog-Box for live-heartbeat,
actors, piano, guitar, percussion- world première 1992 |
| - Musikdramulett for two music
actors, Festival der Neuen Kammermusik Hannover |
| |
| Theatre
productions |
| Ross, Formerinnerung, 1994
(direction,music), worls première Posnang Poland |
| Landestheater im Kreis Wesel: |
| - Schiller, Die Braut von Messina 1996
(direction, stage set, music) |
| - Molière, Die Zwangsheirat, 1996
(direction, stage set, music) |
| - Ross, Der Ring des Nibelungen,
1996 (the same) |
| - Wedekind, Sex,Politik, Gewalt, 1997
(the same.) |
| - Platen, Der romantische Oedipus, 1997
(direction, stage set with Andreas Auffenberg, music) |
